Feb 08

if you read enough of my blog, you’ll quickly come to the conclusion that I have a pretty varied taste in music. and when it comes to hip hop, i’m a pretty big believer in Lil Wayne. I don’t really know why i like the little tattooed guy with platinum teeth, but i guess like much of america, i find something about his flow to be irresistible.

however. as the title of this post states, not everyone can be a rock star. i appreciate artists trying to stretch their boundaries and push the musical envelope forward. but Lil Wayne is NOT A ROCK STAR. he is a rapper, and should stay a rapper, as his sales numbers are about to show on wednesday when his first week numbers come out.

Weezy just released an album called Rebirth. and I assume it gets its title from the fact that he is trying to rebirth himself as a rock & roller. Come on wayne! what are you thinking? Rap/Rock was cool in ’95 when Limp Bizkit ruled the airwaves. when Hova joined hands with Linkin Park for a collaboration EP, the world was at their knees. but thats because Hov was rapping over Park’s riffs, leaving the rockers to rock.

Rebirth, for the most part is a horribly failed attempt at a new fusion album. One of the biggest issues that I have with it is that the typically awesome effects used on Wayne’s already raspy as a 2 pack a day whore voice just sound like he running his vocals through the same pre-amp as the electric guitar. It reminds me of I sounded like as a 14 year old kid playing my Gibson Special 2 guitar that wouldnt stay in tune AND my vocals through one of those little 15 watt Crate amps, with the overdrive button pushed in and the gain turned all the way to the right. for an artist who i’m sure worked with some hugely expensive producers on this album, there is close to no dynamics.

secondly, the music sucks. wayne is a rapper and clearly sees music like a rapper. in rap, all you need is the beat from your 808 and a sick lyric on top of it. look at his hit song “A Milli”. that could barely be considered a song, yet it got lots and lots of airplay. that’s because hiphop cares about a good flow. Wayne, Em, JayZ and a few others can rap over the sound of me hitting my desk with my flipflops and I’ll listen to the entire track. but rock music needs good music, not just cool vocals. in fact, rock music can sell by having great lyrics, great melody and awful vocals (see Bob Dylan). whoever wrote the garbage on Rebirth should quit their garage band and start playing Garage Band.

This album never ever never would have seen the front page of iTunes had it been a new artist, even a new artist backed by a huge label. the name “Lil Wayne” can sell records. His last one debuted with something like 1 million sales in the first week. This one is headed for under 150k. rightfully so.

Weezy! Go back to rapping! we love it. leave the rock n roll to nickelback or something…

Lil Wayne – Da Da Da

this is the song that the album sticker says “features: da da da” so I assume someone thought this was a hit.
get it here and see for yourself: Rebirth (Deluxe Version) [Explicit]

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Dec 23

It’s been an interesting decade and I think its pretty clear that hiphop had the greatest impact on top 40 radio in the past 10 years. It’s changed a lot though. It’s not a format that has been around for very long and it quickly changed in the 00′s from being something “from the streets” to being something from the studio. There is no more NWA. It moved slowly from music about a simple beat and a message (whether thats a message you enjoy or not) to being music made for the club and for pop music stations. So, let’s look at a few of the hit songs from the past decade.

Eminem released his masterpiece, The Marshall Mather’s LP in mid 2000. To this day, Eminem still places more emphasis on his lyrics and his rap rhythm than on dance beats. He probably has the most recognizable voice in the rap industry, or at least top 5, and it’s simply a joy to listen to him rhyme over a simple beat.

Eminem – Stan (released in May 2000)

In 2001, Jay Z released one of his greatest albums, an album that spawned two sequels. The Blueprint. While this record definitely had club hits on it, it was still a lyrical album. But the hooks were clearly becoming more about dancing than rapping.

Jay Z – Izzo (H.O.V.A) (released September 11, 2001)

Now let’s jump ahead a couple of years. This isn’t a rap record, but it is HipHop. Usher dominated the airwaves in 2004 with help from the incessant shouting from Lil John on his track “Yeah.” This song was inescapable. I’m surprised it ever wore out. This song is for ladies in the clubs, frat guys on a house boat and everything in between.

Usher (feat Lil John and Ludacris) – Yeah (released in 2004)

To save us, slightly, in 2004, was the man who would eventually become inescapable…Kanye West. He debuted with an album completely different from the one that will be mentioned further down this list. It was lyrical, it was fresh, it was awesome.

Kanye West – Jesus Walks (From ‘College Dropout’ released in 2004)

In 2005, this happened.

Black Eyed Peas – My Humps (from “Monkey Business”, 4th best selling album of 2005)

In 2007, T-Pain created a phenomenon that would continue until today. He used autotune to help him sing. And we all thought it sounded pretty damned cool.

T-Pain feat Justin Timberlake – Can’t Believe It (remix)

2008. The year where T-Pain continued to dominate the world with the autotune concept, but through a zillion other hip hoppers. The radio was dominated by two men. Kanye West, back with his 808′s and some heartbreak, and a little man with as many baby mama’s as he has tattoos, Lil Wayne. They did two different things really. Wayne is a lyrical rapper (though he is on a zillion dance tracks as well) and Kanye is just weird.

Lil Wayne feat Jay-Z – Mr. Carter (August 2008)

Kanye West – Amazing (November 2008)

And of course, one of the top tracks right now on iTunes, a cool sample, super hot production and autotuned average singing by Jason Derulo. What a combo!

Jason Derulo – Whatcha Say

So…what’s next?

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Dec 16

lil-wayne-2

hot new track from Lil Wayne’s upcoming release. It’s called “Drop The World” and is produced by a couple boys from Surf Club whose beats I always love. They give their music a lighter than air ambiance while keeping the beats hard, providing the perfect backdrop for rappers with intriguing vocals like Wayne to flow over.

PLUS, Eminem is on the last verse of this song and as has been the case for the past year or two, every time he is on someone else’s track he spits rhymes so ridiculous that it just eats up everything before and after it. You know Eminem is awesome because he’s sort of like going to dinner at an amazing French restaurant. You get this little piece of steak that is the most succulent, delicious thing you’ve ever had and you just pray the entire time that you are eating it up that it would last forever. When Eminem throws out a single verse, it is the biggest tease there is. It makes me crazy that I can’t just listen to him flow for an hour.

Definitely excited to see what the rest of Wayne’s album is gonna sound like. Good start so far.

Lil’ Wayne feat Eminem – Drop The World

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Oct 25

weezerweezy

Weezer’s new album, Raditude, that is set to come out sometime soon is shaping up to be quite interesting. The latest leak off of the album is the Jermain Dupri produced “I Can’t Stop” featuring none other than lil weeeeeezy Wayne. It’s definitely not the coolest Weezer track that I’ve ever heard and Weezy with Weezer isn’t as cool as I expected, but its still a pretty fun little ditty. Check it.

Weezer – I Can’t Stop feat Lil Wayne

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Sep 02

amerie

new song from Amerie feat the constantly present, but never overplayed Lil Wayne.

Do you think my coworkers would be mad if i just bump this shit as loud as possible and dance around in my office? I want to.

Amerie feat Lil Wayne – Heard ‘Em All (remix)

Get some Amerie tunes on Amazon mp3

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Sep 02

drake

i dont really have a hip hop wednesday theme, but why can’t today be hip hop wednesday anyhow? it’s my fucking blog. i can write whatever i want. and since i now am the proud owner of white patent leather sneakers with an image of Soulja Boy Tellem on the soul (thanks LF!) i think i should be blogging about more hip hop music. especially mix tape shit from the streeets.

ok, so this track is actually about to blow up huge and isnt really from the streets anymore. i think its going to be on the More Than A Game soundtrack. If you don’t know, thats the movie about Lebron James’ high school basketball team. It also stars 4 other starting players who you’ve never heard of, but it looks like they get equal screen time, thats nice of the director. I guess that’s kind of like this song. It has Drake on it, it has Kanye on it, it has Lil Wayne on it, and while I guess you’ve heard of those guys, per his usual, Mr. Mathers aka Eminem completely destroys everyone else on this track. Clearly Em still has skills, so why did his solo album kinda blow? I don’t think he should be allowed to ever make a song alone again because clearly he only blows shit up when he competes with others.

Hip Hop it.

Drake feat Kanye West, Lil Wayne and Eminem – Forever

Get Drake’s Born Successful mixtape on Amazon mp3

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